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Sony completely cancels plans to release 'The Interview'

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Sony Pictures Entertainment has canceled the Dec. 25 release of its action comedy film The Interview, following a threat by a hacker group to retaliate if the movie opened and a decision by the largest American theater chains to cancel all of their screenings.

As recently as yesterday, Sony appeared to be standing firm against the hacker group, which calls itself the Guardians of Peace, even after the group promised a violent reprisal if the film premiered as planned. Sony's decision to allow theater owners to cancel their screenings led to across-the-board cancellations from the major players, including Regal Cinemas and AMC Theatres. A company statement explained that the theater companies' decisions had prompted the studio's change of plans.

"In light of the decision by the majority of our exhibitors not to show the film The Interview," a Sony Pictures statement read, "we have decided not to move forward with the planned December 25 theatrical release."

In its statement, Sony said it "completely share[d]" theater companies' "paramount interest in the safety of employees and theater-goers."

Despite the apparent concern of Sony and its theater company partners, the Department of Homeland Security (DHS) said on Tuesday that there was "no credible intelligence to indicate an active plot against movie theaters within the United States." 

The decision by Sony Pictures, nearly unheard of in the history of modern American cinema, comes as the company reels from what it called "an unprecedented criminal assault against our employees, our customers, and our businesses." The Guardians of Peace hack has led to the release of terabytes of private conversations and planning documents, and Sony has threatened to prosecute journalists who report on the stolen material.

Because The Interview focuses on a plot to kill the dictatorial leader of North Korea, many speculated at first that the Guardians of Peace were affiliated with or controlled by the North Korean government. The regime has denied these allegations, and the FBI has been unable to substantiate them.

It is extremely rare for a Hollywood studio to cancel the release of one of its movies. The Weinstein Company canceled the Dec. 19, 2012, premiere of Django Unchained following the Newtown, Conn., school shooting, but the movie opened a week later, on Christmas Day. The release of V for Vendetta was similarly pushed back from Nov. 5, 2005, to March 17, 2006, but reports of why vary.

In its statement, Sony did not address the possibility of a future release. According to documents leaked in the Guardians of Peace hack, The Interview had a budget of $44 million.

Update 6:45pm CT, Dec. 17: A Sony spokesman said the company has "no further release plans for the film," such as video-on-demand or home video, following speculation that the company would end up pursuing one of those routes in lieu of a theatrical run.

Photo via Chris Fleming/Flickr (CC BY 2.0) | Remix by Jason Reed 


'7th Heaven' star Stephen Collins admits to sexual abuse

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BY CHRIS E. HAYNER 

It's been two months since a recording of former 7th Heaven star Stephen Collins confessing to inappropriately touching underage girls was released by his estranged wife. Now, the actor is coming clean. 

In an essay written for People, he admits, "Forty years ago, I did something terribly wrong that I deeply regret. I have been working to atone for it ever since." In his confession, Collins says there were three victims between 1974 and 1994, adding, "I have not had an impulse to act out in any such way" since then.

Collins also says he apologized to one of the women he abused and she was "extraordinarily gracious." However, he hasn't reached out to the others. "After I learned in the course of my treatment that my being direct about such matters could actually make things worse for them by opening old wounds, I have not approached the other two women, one of whom is now in her 50s and the other in her 30s," he writes.

Next, the actor will sit down with Katie Couric for an interview, which will be streamed on Yahoo! and air on the Dec. 20 episode of 20/20.

Photo via Louise Palanker/Flickr (CC BY-SA 2.0)

Netflix is moving forward on a 'Wet Hot American Summer' series

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Much like the Beetlejuicesequel, there have been rumors of a Wet Hot American Summer follow-up floating around for years. It looks like Netflix might have come to the rescue once again.

E! reports that the sequel is now being batted around as a miniseries for Netflix, which has apparently been interested in the project since May, when the company was in talks with director and writer David Wain and co-writer Michael Showalter.

The 2001 film, which follows the antics at a summer camp in 1981, features a yearbook of actors who went on to big movie and TV roles: Amy Poehler, Paul Rudd, Christopher Meloni, Bradley Cooper, Elizabeth Banks. The movie ends with the camp counselors talking about meeting up again 10 years later for a reunion, which left the door open for a sequel. Sources told E! that Wain and Showalter are on board. However, it’s not clear whether any of those original cast members will be involved. Production is slated to begin in January.

This could be yet another series in Netflix’s growing arsenal of programming, which is scheduled to include Marvel’s Daredevil and Jessica Jonesseries, Tina Fey’s Unbreakable Kimmy Schmidt, and Judd Apatow’s Love over the next few years. 

The company has not yet commented on the project. Just watch this clip on repeat until it debuts.

Photo via Nico Paix/Flickr (CC BY 2.0)

Steve Carell's North Korea movie canceled after Sony hack

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Just hours after Sony canceled the release of The Interview following a cyberattack that reportedly will be blamed by the U.S. on North Korea, New Regency just canceled Pyongyang, a thriller starring Steve Carell, according to The Hollywood Reporter.

The movie, which was scheduled to start shooting in March 2015, was about a Westerner accused of espionage in North Korea. The plot focuses in on Korean propaganda and its absurdities.

The movie, based on a graphic novel by Canadian Guy Delisle, was going to be directed by Gore Verbinski who has worked on three Pirates of the Caribbean films among other projects.

Photo via Eva Rinaldi/Flickr (CC BY 2.0)

Here's the pitch perfect 'Serial' parody

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As Serial fans while away the endless hours until Thursday morning’s release of the season one finale, Funny or Die has released an anticipatory parody that sums up all the anguish, high hopes, and obsessive-compulsive detail mining that the series has induced.

The sketch, featuring Michaela Watkins doing a spot-on impression of Sarah Koenig, heightens the frenzy of the nail-biting quest for answers by featuring Sarah in-studio, haplessly fumbling for a final episode narrative.

She gets a call from Adnan, who, in classically glib Adnan-style casually asks, “So, like, who did it?” She desperately texts Jay, but to no avail, as his phone is with someone else. And finally, feeling the heat from a visit from Mail Chimp ad executives, who, fittingly, cannot pronounce the name of their own company, Sarah confesses that she, herself, is the murderer.

The final scene is audio-only of Sarah calling Adnan from prison. The exchange dissolves into a hilarious back-and-forth of “no you go” and “no, I understand” utterances that is sure to tickle fans of the podcast.

We may not get any definite answers tomorrow morning, but, as this sharp little parody reminds us, at least we had some fun along the way.

Screengrab via Funny or Die

U.S. government approved 'The Interview's' assassination scene, Sony emails allege

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The U.S. State Department saw a rough cut of The Interview and approved its content, the Daily Beast reports.

This following news that Sony is cancelling the planned Dec. 25 release of the long-anticipated film in light of terrorist threats the FBI is expected to link to North Korea.

The film has generated controversy since production, mainly due to the fact the plot centrally revolves around the assassination of North Korean Supreme Leader Kim Jong-un. One scene in particular that raised unprecedented involvement was the death scene of the rotund ruler where it appears he is killed by an exploding tank shell. The clip in question caused involvement from the Sony CEO Kazuo Hirai who very rarely interferes, if at all, with the Hollywood-based Sony Pictures.

Hirai was concerned that showing the explosive death of a man who is considered a living god in North Korea could possibly cause reprisals against the company. Something which later became apparent in the hack against Sony by the “Guardians of Peace,” revealing the email conversations revolving around the film and the State Department’s blessing.

The cancellation followed a threat from the hackers making allusions to the 9/11 attacks with a warning that showing the film could cause reprisals. U.S. Government officials confirmed to the Daily Dot that they were investigating the threats. The North Korean embassy at the United Nations did not return requests for comment.

H/T The Daily Beast | Screengrab via TrenderManHD/YouTube

Texas movie theater to show 'Team America' in lieu of 'The Interview'

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At least one theater was happy to ignore terrorist threats and screen The Interview in righteous protest—Sony hackers be damned. But even the Texas-based Alamo Drafthouse was unable to move forward with its plans to show the controversial film. 

It did the next best thing, however. In lieu of The Interview, the Richardson, Texas-based Drafthouse will host a giant Team America: World Police party Dec. 27, complete with singalongs and, presumably, miniature American flags. 

In case you missed it, the beloved, oft-quoted film is basically about North Korea attacking the U.S. and it's told with puppets. The late Kim Jong-il is a bastardized villain portrayed with intentionally racist fervor—it's supposed to be OK because he's an evil dude IRL. But it is insatiably funny. 

If you can't make the trip to Texas, enjoy these memorable Team America clips.

Screengrab via MOVIECLIPS/YouTube

The 8 breakout stars of 2014's viral-Internet hip-hop scene

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There’s a debate over whether or not hip-hop fame obtained through viral marketing is legitimate. Some argue that to be respected, rappers have to be in the streets, literally—grinding, handing out CDs, and building up a fan base through live performances and word-of-mouth. 

Years ago, when Soulja Boy had crowds of people gleefully mimicking his “Crank Dat” dance and hip-hop heads used terms like “Internet rapper” to describe him, it was in derision, not praise of his success. “Yeah, he’s blowing up, but only because of the Internet,” critics said—implying it somehow made him less legitimate than a rapper who had earned his or her fame with a traditional ground game.

On the contrary, in 2014, there may be nothing more legitimate than the acceptance of the online masses. No demographic is more critical or merciless than Internet commenters; winning their praise and shares is, at the very least, a testament to how enjoyable your music is. Videos are an important mechanism through which musicians can give fans a glimpse into their lives and personalities. 

Great, because with the demise of dedicated music channels, and MTV’s downward spiral into reality TV hell, the art form almost died off. Diddy, Busta Rhymes, and Missy Elliott used to create elaborate videos for every single track on their album, by the late 2000s fans were lucky to get even one clip per record. 

But with the Internet a ubiquitous part of life and the sharing of viral content a driving force behind its economy, music videos are making a comeback, and rappers are cashing in. In fact, hip-hop stardom and Internet stardom go hand-in-hand for the most part. The real question won’t be if rappers can achieve Internet fame, but whether or not they’re able to sustain the relevance gained with it. Take the neon icon himself, Riff Raff: After years of mixtapes and viral clips, his 2014 major label debut, led by Vine smashTip Toe Wing in My Jawwdinz,” made a frat-house star out of the Houston rapper.

With that in mind, check out our list of eight rappers whose viral videos blew up this year. 

Bobby Shmurda

Perhaps no one had a bigger or more unexpected rise this year than Brooklyn MC Bobby Shmurda. In fact, Shmurda became famous enough to warrant long-term NYPD surveillance and was arrested Tuesday outside of a recording studio in connection with drug trafficking and shootings. That's because thanks to underground hip-hop forums, Vine, and subsequent memes of Shmurda’s distinctive Shmoney Dance, by the end of the summer the young rapper was everywhere. His single “Hot N***a” was playing on radio stations across the country, and everyone from celebrities to Ryder Cup teams got in on the viral action.

Hand Job Academy

Female rap trio Hand Job Academy first made waves with their period anthem “Shark Week” and Internet-culture satire “Tumblr Bitches,” but an Instagram video by Taylor Swift—see above—brought them mass attention in November.

Stitches

There’s little that can be said about Stitches’ video for “Brick in Yo Face” that hasn’t already been said about the Texas Chainsaw Massacre movies. It’s dark, frightening, trashy, and excessive. The video features Stitches—an 18-year-old white rapper with an AK-47 and a “Glasgow smile” tattooed on his cheeks—waving around a machine gun. Later, he dons a Hellraiser mask and tosses fistfuls of cocaine into the air like a degenerate LeBron James. Of course, the Internet loved it. Stitches is still trying to recreate the magic of “Brick in Yo Face,” but he’s kept himself in the news by pulling stunts like, uh, giving audience members cocaine.

Lil Dicky

Lil Dicky gained recognition for his comedic music videos and clever lyrics. Dicky made news last week with his breakout hit “White Crime,” a tongue-in-cheek commentary on crime, race, and police brutality, with a timely launch amid the protests over the Michael Brown and Eric Garner rulings.

Yung Lean

Swedish rapper Yung Lean’s rise to fame began in 2013 when the video for his song “Ginseng Strip 2002” went viral. Capitalizing on its success, Yung Lean released a mixtape and an EP that same year before embarking on a 2014 American tour. With his “sad rap” movement gaining steam, Yung Lean released his debut full-length album, Unknown Memories, and led sold-out shows all over North America and Europe.

Awkwafina

Nora Lum, aka female NYC rapper Awkwafina, raps like a female Das Racist member, and every hit she drops goes viral. She entered the scene in 2013 with videos for “My Vag” and “NYC Bitche$.” 

She broke down her latest album, Yellow Ranger, for the Daily Dot in February. “I loved making [“NYC Bitche$”] because it was basically a compact, musical tirade of the rants I would go on anyway in everyday life,” she said. 

OG Maco

OG Maco is the voice behind a million Vine remixes. The song, “U Guessed It!,” is catchy enough, but what sets apart the track and the trippy, rotoscoped, Inception-style video are the memes the Internet made out of a five-second audio clip.

O.T. Genesis

“Coco,” like “Brick in Yo Face,” is a gangster love song about dealing cocaine. The absurdity of the song's lyrics—“I’m in love just like Ne-Yo/Bustin’ shots, now he kneel”—would have been enough to give the song some viral notoriety. But an incident involving his boss, Busta Rhymes, will guarantee “Coco” goes down in infamy. 

During a recent live performance, Busta joined O.T. Genesis on stage to perform the song and got a little too turnt-up. As the rappers headbanged along to the music, Busta swayed and then took a nosedive off the stage, cracking open his head on the ground below. Several memes and Google searches later, and “Coco” has accrued more than 25 million views.

 Collage by Max Fleishman | Images via YouTube 


Introducing Vessel, the 'Hulu for short-form video'

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BY SAHIL PATEL

Vessel, the stealthy short-form video startup from former Hulu CEO Jason Kilar, is ready to show what it’s got.

The ad-supported and subscription video service — essentially Hulu for short-form video — is launching in “creator preview” mode, allowing video producers to see, play around with, and upload their videos ahead of the consumer launch in early 2015. The subscription version will be priced at $2.99 per month.

So what’s the pitch? As previously reported, Vessel wants video creators — from new and traditional media, according to Kilar — to distribute their content exclusively on Vessel for a certain period of time. In most cases, this would be 72 hours, before creators are free to distribute on other video sites, including YouTube.

In return, Vessel is promising multiple forms of revenue, and better rates than what creators are typically used to.

Creators will get 60% of all revenue generated from Vessel subscriptions. The company will dole this money out based on how much time viewers spend on a creator’s channel or content. For instance, if one creator’s videos accounted for 5% of all minutes spent on Vessel’s subscription service, then that creator would get 5% of the subscription dollars set aside for creators.

“During the early access period on Vessel, we estimate that creators will earn approximately $50 for every thousand views (up to 20x the levels earned from free, ad-supported distribution),” said Kilar in a blog post announcing the soft launch.

Read the full story on The Video Ink

Illustration by Max Fleishman

Sony CEO apologizes for dismissive email about sexual assault victims

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In the latest trove of emails released by the hacker group calling itself the Guardians of Peace, Sony Entertaiment CEO Michael Lynton made dismissive remarks about President Obama and college sexual assault to Sony Pictures chairman Amy Pascal.

The comments came after Pascal forwarded an NBC news blast to Lynton mid-September that included a story about President Obama announcing his “It’s on Us” campaign, dedicated to putting an end to the campus sexual assault epidemic. Pascal also sent an article speculating whether the recent NFL problems with Ray Rice and Adrian Peterson were linked to the NFL’s concussion problems. Lynton replied to Pascal:

this has nothing to do with the brain injury stuff. and obama should keep his nose out of it.  sexual assault is directly related to alcohol intake and actually has not increased since we were in college.  Remember "Take back the night?"

Despite Lynton’s assertions, sexual assault rates are indeed rising dramatically. According to a recent report from the WashingtonPost

55 percent of about 1,570 colleges and universities with 1,000 or more students received at least one report of a forcible sex offense on campus in 2012. Such sex offenses include forcible rape, forcible sodomy, forcible fondling and sexual assault with an object. … Overall, there were more than 3,900 reports of forcible sex offenses on college campuses nationwide in 2012, up 50 percent over three years.

Harvard University, where Lynton sits on the Board of Overseers, holds the second-highest number of reported incidents of sexual assault among colleges, based both on sheer numerical offenses, as well as percentages based on the student body count, according to a study done by the Washington Post.

When reached for comment, Lynton told me that he had learned in the three months since his email that his facts were incorrect.

“My comment was in no way meant to suggest that sexual assault isn’t a profound and furious issue that has to be dealt with,” Lynton said.

Lynton declined to comment on the record on his comments about President Obama.

College campus rape has been a hot-button issue nationwide, especially on the heels of Rolling Stone’s article and subsequent retraction last month regarding an alleged gang rape at the University of Virginia. Hollywood has not been immune from its far-reaching impact. Lena Dunham recently came under fire for her retelling of her sexual assault while at Oberlin College in her recent memoir, Not That Kind of Girl. Dunham’s description of her attacker, a college Republican named Barry, matched too closely to an actual alumni who attended Oberlin at the same time and was also a college Republican. Publisher Random House was forced to amend future copies of Duham’s memoir.

Aaron Sorkin’s The Newsroomgarnered similar criticism after a recent episode of the HBO show addressed campus rape when an executive producer, played by Thomas Sadowski, tried to pressure a female college student out of appearing on the fictional ACN for interviews about her rape, alleging that the victim would be “slut-shamed.”

The hackers’ message that accompanied Tuesday’s email dump also threatened terrorist attacks at locations where the upcoming Seth RogenJames Franco film The Interview would be screened. In a town hall meeting this week, Lynton told Sony staffers that the studio would not back down in the face of hackers. However, Sony decided Wednesday to push back the film’s Christmas release after Carmike Cinemas and other theater chains refused to screen the film due to terrorist threats.

According to CNN, the FBI is expected to link the cyberattacks on Sony Pictures to North Korea.

Illustration by Jason Reed

Paul McCartney praises Ringo Starr ahead of Rock and Roll Hall of Fame induction

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Ringo Starr might get the shaft from some Beatles fans, but Paul McCartney still loves him.

The former Beatles drummer will be inducted into the Rock and Roll Hall of Fame next year, making him the final member of the group to receive that honor. But to McCartney, it's an injustice that it took this long. He pointed out that even their former manager Brian Epstein made it in before Starr, who has his own career full of impressive works.

Of course, when the topic of the Beatles comes up, Jimmy Fallon can't refrain from doing his impressions. McCartney, naturally, does a perfect McCartney. You wouldn’t expect anything less of him.

Screengrab via The Tonight Show Starring Jimmy Fallon/YouTube

What people who actually saw 'The Interview' thought of the movie

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The Interview, the Seth Rogen and James Franco film that inspired an act of cyberwar on Sony from North Korea, isn’t coming out on Christmas day anymore. Sony killed the release on Wednesday, after American theater chains declined to show the movie in light of terrorist threats.

But that doesn’t mean no one has seen it. Actually, about two dozen film critics have laid eyes on the controversial comedy. The average consensus? Meh.

Overall, the critical reception to the new film, the plot of which centers around an assassination attempt on North Korean leader Kim Jong-un, has been lukewarm at best. Half of all the reviews aggregated by Rotten Tomatoes dislike the movie, half like it.

There isn’t much in the way of biting political satire, most of the critics agree. Rogen and Franco as a comedy team still pleases other critics, however, even if this is one of their less-well reviewed works.

If you don’t already love Rogen and Franco, though, this might not be a movie for you.

“Crude humor, weak jokes and an unpleasant mean streak,” is how Rafer Guzman at Newsdaysummed up his feelings.

“It isn’t just the most sophisticated and beautifully shot of Rogen’s star vehicles," wrote David Ehrlich at Time Out New York, "it’s also the most giddily puerile.” 

"Puerile" is Ehrlich's way of saying, "get ready for a slew of anus jokes." 

In fact, there’s a butthole joke in the movie that sounds downright promising: North Korean television shields viewers from the revelation that Kim Jong-un has, like any commoner, a butthole. Childish? Sure—but America can always get behind a good politically-tinged ass joke.

Beyond the string of crude humor, many critics said The Interview fails to add up to more than the sum of its parts—not to mention failing to be worthy of generating a both a business disaster for Sony Pictures and a geopolitical standoff between the U.S. and the Hermit Kingdom.

“While The Interview never slacks in its mission to tell jokes," Alonso Duralde wrote at The Wrap, "it’s such a messy and meandering movie that it never quite lands as a satire of politics or the media or anything else,” 

The massive waves caused by the movie have the eyes of the world on Rogan’s latest work, Joe McGovern at Entertainment Weeklywrote, “and that's why it's a pity that the film is bereft of satiric zing, bludgeoning the laughs with a nonstop sledgehammer of bro humor.”

Some will love it, some will leave it, some will watch five minutes on cable if it ever makes it that far. In short, The Interview is fairly typical of other films from the Rogen-Franco camp.

Of course, the critical reception of a comedy doesn't really matter when weighing terrorist threats against moviegoers. Would the Sony hackers laid off The Interview if it earned Rogen an Oscar nomination? Probably not. 

Photo via Sony Entertainment

Stephen Colbert clears out the studio with an all-American yard sale

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"How do you get rid of nine years of collected crap?" asked Stephen Colbert on Wednesday night's penultimate episode of The Colbert Report.

The answer, it turned out, was a yard sale.

Having already let Google map out the Colbert Report's 54th Street studio on Street View, Colbert's staffers spread out across New York City, posting flyers announcing a yard sale filled with patriotic knickknacks.

A montage of tables displayed products like Vax-Anus, Beatles dolls, illustrations of Colbert as Lincoln, and even a statuette of Colbert as Captain America. There was Colbert-ified Newsweek cover, a framed "Truthiness" cross-stitch, and a "mind-reading helmet."

As skeptical New Yorkers eyed these and other Colbert Report keepsakes, Colbert offered one man the mind-reading helmet for a dollar.

The yard sale was cash-only. As Colbert asked a potential buyer in exasperation, "You bring credit cards to a yard sale?"

No matter. Colbert was happy to take down the man's credit card number, Social Security number, mother's maiden name, ATM PIN, and other obviously necessary details.

Judging by the post-purchase interviews with Colbert's customers, the yard sale was as successful as the show it helped conclude.

Screengrab via The Colbert Report/Comedy Central

'Serial' finale points to more questions than answers

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This article contains spoilers for the first season finale of Serial.

Anyone who loves a good mystery story enjoys the tension, the thrill, and the ultimate relief of observing a collection of facts suspended in apparent chaos only to be reordered into clarity and meaning.  At the outset of Serial season 1, Sarah Koenig presented a juicy premise and an implicit promise. She told listeners she would delve deep into a case, unearth new facts, and discover what really happened, because, naively, she really thought she could.

The ultimate reveal of Serial’s finale, which was released this morning, wasn’t so much a revelation as an admission. In lieu of a grand denouement or a final declaration of truth topped with a neat bow, Koenig admitted that things are still messy. Very messy.

In an opening hilariously similar to the Funny or Die parody, we hear Koenig on a call with Adnan Syed from just last Saturday. She tells him all the things she still wishes she knew about where he was that afternoon and he replies blithely, “So you don’t really have—if you don’t really mind me asking—you don’t have no ending, like it’s just...?”

Koenig squirms on the phone, but then firmly announces to her audience that she does have an ending. Well, she does and she doesn’t. She strings together new facts, presents information from an interview with Don, revisits the hyperoptimistic Deirdre from the Innocence Project, and turns the mic on everyone’s favorite gal who just wants to go to the Crab Crib, Dana. Spoiler alert: Dana thinks Adnan did it.

The most interesting tidbit from the finale, however, may be Koenig’s own confession that she did reach conclusions about Adnan’s guilt or innocence. Repeatedly. “Several times I have landed on a decision, I’ve made up my mind, and then stayed there, with relief.” But then, over the course of as much as weeks or sometimes as little as hours, Koenig’s convictions changed again. So the question is, why didn’t we hear any of this until now?

Serial has been lauded for its dynamic use of long-form storytelling. But one of the central elements that truly makes this story exciting and unusual is Koenig’s role in the story. In order to gain clarity and access to valuable information, Koenig spoke to Syed for hours and hours over many months. In arguably the most gripping episode of the season, “Episode 6: The Case Against Adnan Syed,” Koenig explains that what “hooked” her to this story is Syed himself. And he retorts, “I mean you don’t even really know me though, uh, Koenig.”

Koenig was taken aback, upset that after all that conversation Syed felt she didn’t actually know him. The audio from the exchange vibrates with hostility. It’s gripping to hear Koenig, echoing a wounded adolescent who has discovered her friend does not count her as a friend, revisit the exchange. It’s one of the rare moments throughout the season where Koenig is vulnerable, and in sharing her vulnerability, she gains access to Syed's inner workings.

Unfortunately, the finale does not revisit such depths. But it does hint, perhaps, at lessons learned for season 2. Koenig is pursuing facts, but her storytelling is most effective when imbued with feeling. If this is to be the cinéma-vérité of podcasting, Koenig may need to let her guard down, to be open to being wrong, and to initiate a premise without the promise of answers.

An excellent example of a more vulnerable narrator investigating something sticky can be found in an episode of This American Life entitled “The Psychopath Test.” In Act 3, “King of the Forest,” Jon Ronson reads an excerpt from his book The Psychopath Test. He visits a powerful CEO whom he suspects to be a psychopath with the hope of collecting evidence that his host truly is a psychopath. Ronson admits disappointment when he stumbles upon evidence that the man might just be terribly confident and content. He also aptly identifies himself as the “neurological opposite of a psychopath”—a man who feels anxious nearly constantly. The effect is comic and truly engaging.

At the close of the episode, Koenig likens herself to a hardened investigator. “Just the facts, please,” she quips. But she fails to recognize that that’s not what hooked her, and it certainly isn’t what hooked her audience.

Koenig has received much criticism for wielding her privilege and casting Adnan and Hae as “model minorities,” but perhaps what Serial is lacking is a more human and present narrator. If Koenig wants to paint an honest portrait of her next subject, she’ll need to include some finer brushstrokes and paint herself into the picture.

Photo via chadmiller/Flickr (CC BY SA 2.0) | Remix by Fernando Alfonso III

Learn how to make Hanukkah gelt in this comedian's instructional video

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It’s not quite the same as Martha Stewart teaching party hosts how to prepare a standing rib roast for 20, but a new instructional video wants to show you how to make proper chocolate Hanukkah gelt.

In the latest installment in Vice’sMunchies series, comedian Eliot Glazer celebrated the Festival of Lights with a simple approach to making candy gelt. (Gelt, if you were unaware, are faux coins that, for reasons lost to history, form part of the Hanukkah tradition along with menorahs and dreidels.)

This is so much more than a how-to video. The lead-in to Glazer's bit—where chocolate-making is just a cover for snarky joke-telling—is set at Sammy’s Romanian Steak House in New York with a holiday party hosted by Israeli singer/actor Dani Luv. Luv, who resembles Larry Fine from the Three Stooges, croons and banters a bit with the audience before tossing it over to Glazer.

“I'm a Jew for the food,” declares Glazer at the outset of the clip. He then proceeds to melt chocolate in a double boiler and sloppily pour it into a muffin tin of sorts. After cooling, he dusts the little nuggets with edible gold dust. The result is gelt, prepared quickly, simply, and irreverently.

Glazer, decked out in a shirt covered with images of friendly giraffes, lets his wit take center stage. While painting his chocolate treats with gold, he quips, “Think of yourself as Bob Ross with a bigger afro.” He rambles on about his Bar Mitzvah and other highlights of his awkward religious upbringing, ending with a hit-and-miss attempt at chanting the blessing over the holiday lights.

This installment appears to be the first in a series that Munchies calls its Hanukkah Spectacular. Let’s hope future installments teach us how to turn Tater Tots into latkes and how to find the best Chinese food on Christmas Day.

Screengrab via Munchies/YouTube


YouTube's new 'Creator Show' aims to help users make better videos

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Despite YouTube Nation's cancellation, YouTube isn't giving up on featuring its own creators entirely. The Google-owned video-sharing platform has launched The Creator Show to both highlight its rising stars and assist other creators in making better videos.

The Creator Show is not a direct replacement for YouTube Nation. Instead, the show lives on its own channel, called YouTube Creators, which only boasts 93,000 subscribers. (YouTube Nation's now-defunct channel has 2 million viewers.)

Befitting its status as a tool for YouTube's stars and not its mainstream users, The Creator Show also has a much stronger promotional bent than YouTube Nation. Its videos are aimed more at content creators than the masses of viewers those creators they attract. The channel's videos show off YouTube's feature set rather than covering entertainment trends and the site's biggest videos.

The first episode features Grace Helbig, who talks about her latest book. YouTube star Kali Muscle appears in a segment explaining how to tag collaborators on videos. He also offers more straightforward information on how to change a channel's URL.

The Creator Show will bring new videos to content creators every few weeks.

H/T VideoInk | Screengrab via YouTube Creators/YouTube

America's tiniest tech giant shines in adorable PBS spoof

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Who knew venture capitalists could be so adorable? It helps, of course, that this one is five years old.

Max gives a tour of his home to Steve Goldbloom in the second season of Everything But the News. The PBS Digital Studios series follows Goldbloom as a Jim Lehrer-obsessed cub reporter from PBS who's stuck on assignment covering a world of tech about which he knows little.

This episode is a bit of a departure from the normal Everything But the News formula. While Goldbloom is skewering the tech world and PBS, he's normally got some level of reality intersecting with his joke. Max is obviously a gag, but watching him explain his modern art as made by his 5-year-old friend is laugh-worthy.

It may not be business as usual for Everything But the News, but perhaps it's discovered an offshoot series where Goldbloom interacts with precocious kids playing entrepreneurs.

Screengrab via Everything But the News/YouTube

Old, hidden Jack White single discovered 10 years later

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Jack White—one of the most distinct and interesting mainstream voices in pop—was once in a band called the Upholsterers. Somewhat related, he was an actual upholsterer and worked with furniture for a living. Here's why that matters: Ten years ago in a bored, message-in-a-bottle gimmick, White and bandmate Brian Muldoon sewed 100 copies of an otherwise unreleased single into furniture the duo was commissioned to upholster in real life.

Now two separate, former customers have stumbled across the singles—with 98 potentially still out there sewn into residential couches. White's Third Man Records shared that project's album art this week.

As a band, the Upholsterers released one conventional EP with three songs on indie label Sympathy for the Record Industry back in 2000. It rocks, and you may enjoy it below.

Photo via Mark Runyon/Flickr (CC BY 2.0)

Orlando Bloom wants to make an X-rated sequel to ‘The Hobbit’

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Middle Earth is famously—perhaps even infamously—free of sex. Whereas Game of Thrones is an almost non-stop homage to the carnal desires, the characters in Tolkein’s fantasy epic Lord of the Rings and The Hobbit are chaste and virginal to the point of piety. 

Turns out Orlando Bloom doesn’t like this one bit. 

Appearing on Conan to promote the release of the final instalment of The Hobbit, the Hollywood actor had some ideas for a potential sequel. Playing Legolas, he suggested it focus more on the elves, and have a vibe that's a little more... tantric.

I guess Bloom's never heard of The Knobbit.

Screengrab via Team Coco | Remix by Rob Price

Lorde, Skrillex, Rick Astley, and other Australian artists create the ultimate mashup

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Australian radio station Triple J's Hottest 100 is constantly touted as the "world's biggest music democracy"—last year's poll pulled in around 1.5 million votesand with the countdown arriving annually on January 26, Australia Day, it has become the soundtrack of parties around the country and everywhere else that Aussies reside.

The Hottest 100 list is such a big deal down under that it shouldn't be a surprise that the station is launching the 2015 version with a bang, wrangling 40 artists to join forces to create a theme song for the event.

Lorde's there, still probably a bit touchy after losing out last year to Vance Joy. Also joining in are Skrillex, Ben Folds, Steve Aoki, Diplo, alt-J, and a shameless Rick Astley.

The group includes several Aussie acts that American music fans might not be familiar with, including Australian treasure Paul Kelly, who adds respectability to proceedings that are dominated by young tyros like San Cisco. Then there are 90s-revivalists Violent Soho and The Preatures, and Australian hip-hop artists Illy and the Hilltop Hoods. Even Gotye gets a chance to show that he has a sense of humor. 

It's Australia, so of course you can bet on the result. Electronic acts Chet Faker and Peking Duk currently look like the frontrunners, but who knows—if Astley decides to unleash whatever he's been working on for the past 27 years, we may just have our winner.

Screengrab via Triple J/YouTube

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